The new digital cameras offer the possibility to shoot video in HD – a fascinating addition to the capabilities of the DSLR concept – and for some people, the best reason to move up to the latest model. At first glance, it seems that DSLR video is as easy as […]
I was exposed to this type of photography many years ago. The photograph I saw did not have a moving flashlight, or a spinning orb like they do today, but it did show the moon trail across the sky.
As Photographers we tend to be a gadget-oriented group. We buy the latest and greatest advertised gadget, accessory, lens or camera with hopes that it will better our craft.
The word Photography is derived from two Greek words; photo – meaning “light” and graphy – meaning “to draw”. Enter long exposure photography in the digital age, and what better way to allow the natural light to draw the scene before you.
Sure, you know what a soft box is, and you may already own one, but it’s helpful to take a step back and get a fresh look at the world’s favorite lighting accessory.
Mission Impossible? Take a sharp photo of action that’s so incredibly fast, the human eye can’t see it. That’s the assignment photographer Ben Clay gave himself.
Simple is good. Paul Markow shows us why as he revisits classic high key lighting reminiscent of Irving Penn’s series of Vogue Magazine covers from 1943.
When many photographers think about long exposures, late nights and star trails are the first things that come to mind. Just because it’s a sunny day doesn’t mean you should give up your hopes on silky-smooth water or wispy clouds.
Summer is the season when photographers work hard, shooting everything from weddings and family events to soccer games and backcountry nature scenes.
For thirty years, Mark Rockwood has worked as a highly sought-after commercial photographer for local and national accounts that include L.L. Bean and Brookstone.
