Winter has a way of transforming the world into something quieter, softer and surprisingly photogenic. A dusting of fresh snow can turn even the most forgettable corners into scenes worth stopping for. And when the Christmas lights flick on – sparkling, shimmering, throwing colour across the snow – everything feels a little enchanted. If the sun decides to show up, those tiny diamonds of reflected light are enough to make anyone fall in love with this season all over again.
Fresh falling snow and disappearing perspective.
Another reason I treasure winter photography? Solitude. While most folks are inside staying warm, I’m out there with the wind, the snow and the moment all to myself.
Here are some of the tools I rely on when the temperature drops and the photo opportunities rise.
Long exposures are tricky due to the bright white snow. Use your histogram and decide where you can accept some clipping.
Hahnel Extreme Batteries
Cold weather is legendary for draining batteries, especially in power-hungry mirrorless cameras. I’ve trusted Hahnel Extreme batteries for years because they simply perform. Their silicone-infused design offers thermal and impact protection and they consistently outlast comparable OEM batteries. More capacity equals more shots, which is exactly what you want when daylight is brief.
Set your aperture to f/16 or f/22 to capture sun stars. Adjust your position until you get the light beams just right, or wait for the wind as I did here.
Kenko UV & Protector Filters
Every lens I own wears a filter – usually a simple Protector, but in winter I switch to UV. On snow-bright days, a UV filter helps tame that excess magenta light and subtly warms images. Cameras have built-in UV protection for the sensor, but the lens deserves some love too, especially when sunlight is bouncing off every surface.
The Kenko RealPro MC filters are my go-to. They’re multicoated to nix reflections and the ASC (Anti-Stain Coating) makes a real difference – water, fingerprints and snow have a hard time sticking and are easier to clean off. I keep mine organized in a ThinkTank Photo Filter Hive or Filter Nest.
Get up close with a wide angle macro lens, like the Laowa 15mm f/4 macro lens.
McNett Camo Form
This stuff has been in my kit for more than a decade. It’s a self-adhering, residue-free wrap you can put on tripods, lenses or anything that needs protection and grip. Wrapping tripod legs is a game-changer – metal and bare winter hands do not get along. Camo Form adds insulation, grip and a bit of personality, whether you choose snow camo or woodland.
Rain Covers
Winter weather is often unpredictable – one minute, it’s warm and sunny, the next it’s a blizzard and then it will start to sleet or freezing rain will turn everything into a magical forest of ice. Although most cameras and lenses are weather resistant, not as many are weatherproof. Even then, water has a bad habit of getting into places where it can wreak havoc and destruction.
I like to my valuable camera gear with a rain cover. When I’m only out for an hour or less, the ThinkTank Photo Emergency Rain Covers are ideal. For long days under precipitation, I opt for the heavy duty Hydrophobia Rain Covers. Pros rely on these every day at sports stadiums and in the field for good reason – water simply can’t get through the cover. Your gear is dry and safe.
Barred Owl at Lynde Shores.
Sturdy Gimbals & Tripods
If you’re photographing wildlife with a long lens, a good gimbal is essential. A smooth fluid motion lets you follow birds with ease and a sturdy build prevents shake.
- Yelangu Carbon Gimbal – Light, smooth and budget-friendly without feeling cheap. It mounts to almost any tripod or monopod.
- Fotopro Eagle Series – These tripod-and-gimbal kits are rock solid. The E-6L in particular handles an 800mm lens like it’s nothing.
Both brands use the Arca Swiss standard, so your long lens foot likely fits without needing extra plates.
If you’re travelling light or not shooting big glass, a compact tripod like the Vanguard VEO3 GO 235 (in aluminum or carbon) is a great option. Easy-to-use ballhead, convertible monopod and even a phone holder – handy when you want to switch into selfie mode.
I also highly recommend that you bring a Hahnel Captur wireless trigger or HRC Cable Remote – these are easier to trigger with gloves on.
Go wide and adjust your shutter speed to introduce a subtle blur to the falling snowflakes. Steady your camera on a tripod.
Carrying Your Gear
Winter demands a camera bag that’s comfortable, protective and preferably equipped with a rain cover.
- ThinkTank Mirrorless Movers – Perfect for smaller camera setups, action cameras or compact drones.
- ThinkTank Streetwalker & Walker Pro – Comfortable, roomy and built for long days.
- MindShift Rotation Packs – Ideal when you need extra space for layers, snacks and gear – and want quick access without putting the bag down in the snow.
- Vanguard VEO City Line – Stylish, subtle and weather-resistant. These bags don’t shout “expensive camera gear inside,” which is great for urban shooting.
- Vanguard VEO Select Line – Affordable and elegant. These traditional camera bags feature weather-resistant, heavy-duty materials and understated designs at great price points.
Let me also give a small shoutout to the VEO City Tech Bags – fantastic little pouches for filters, batteries, remotes and the random accessories that always end up floating around your bag or car. I’ll often leave one hidden in my car if I don’t want to bring all my accessories with me.
Other Helpful Gear & Habits
- Metz LED-72 Smart Light – Works as a flashlight, video light and emergency signal. It’s one of those small tools that saves the day more than you’d expect. And you can charge it on the go via USB.
- Keep your camera in your bag when walking between locations. I tuck mine under my jacket to stay warm. Batteries and memory cards live in inside pockets for the same reason.
- The night before heading out:
- Charge all batteries (the Hahnel ProCube3 makes this painless).
- Clean your sensor (Visible Dust tools are excellent).
- Clean your filters and lenses.
- Pack your bag so you’re not scrambling in the morning.
And of course – dress smart. Layers you can vent or remove, warm gloves, proper boots and good socks. Nothing ruins a great shoot like freezing toes or hands that don’t want to operate buttons anymore. Hot Pockets are a great stocking stuffer for any photographer!
I used a mix of flash and a long shutter speed for this image.
Don’t Miss the Moments
All the great gear in the world is nothing without the opportunity to capture memorable images. Sometimes, you need to stay indoors. Setup your tripod and remote controls to capture images around the Christmas tree. Turn your camera on family – you never know who won’t be there for the next Christmas. Instead of photographing birds in the snow, grab your long lens and monopod and go to your grandkid’s hockey or figure skating, or practice your skills on the toboggan hill.
The importance of capturing memories. My beloved Gram D and nephew Dare, who both are no longer with us except in photos and memories.
Fast shutter speeds freeze the action. Wear gloves so you don’t freeze your fingers.
Fast shutter speeds and long lenses help with hockey images. Get the puck in the frame if you can.
Winter offers a magic you won’t find any other time of year. I hope these tips and gear suggestions help you get out there and make the most of it. If you have your own winter tricks or photos you’re proud of, I’d love to see them – share them on our Facebook page or tag us on Instagram.
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Author: Will Prentice
A portrait, fine art and commercial photographer for 30 plus years, Will Prentice is not just a contributor to PHOTONews magazine, but also host of PHOTONewsTV, owner of Captura Photography+Imaging and Technical Support/Brand Manager for Amplis Foto, Canada’s largest distributor of photographic equipment.
Will teaches photographers of all skill levels how to improve their craft – from creative photo projects to picking the right gear for their needs to flattering lighting to getting the best expressions to creating final images for screen and print. His unique style of highly detailed images with perfect tonality, wide dynamic range and stunning colour is instantly recognizable. Commercial clients rely on Will’s creative eye and mastery of lighting.
When he’s not behind the camera or in front of a class, you’ll find Will outdoors in any weather – usually on one of his bikes or enjoying time with his grandchildren.
















enjoyed the whole of Will Prentice’s discussion and advice thus given. Excellent & informative. Well done.
Thanks so much for the kind words, Marilyn. I’m glad you enjoyed my article.
Hope your holidays are picture perfect. Merry Christmas
Will